- MOTION BACKGROUNDS FOR PROPRESENTER HOW TO
- MOTION BACKGROUNDS FOR PROPRESENTER FULL
- MOTION BACKGROUNDS FOR PROPRESENTER SOFTWARE
Masks are applied to layers, and are primarily used for carving out sections of imagery.Nonetheless, masking is highly useful and dynamic, and I continue to find better ways of using it every time I design. This is probably because I have misused and overused this feature frequently in the past. When I think about After Effects, I tend to think about masking. There are thousands of ways to combine them and sometimes whole aesthetic ideas emerge from the unexpected results they can create. You should constantly practice new ways of using blending modes. The results of layering with blending modes are wildly powerful. Think of it like inverting an image in Photoshop, but by use of another image. Similar to screen and multiply, overlay prioritizes both brights and darks for opacity, leaving middle gray values in the least visible sectionĭifferenceThis mode inverses image values against each other in the brights, creating unlikely colors in the process. The opposite of screen mode, this mode prioritizes darker colors over brighter colors. White pixels will be completely visible, and black pixels will not appear. The brighter the image, the more opacity it will have. This prioritizes the opacity of brighter color values above darker ones.
MOTION BACKGROUNDS FOR PROPRESENTER FULL
Having the blend set to “normal” tells AE to handle the layer at full default opacity if it’s above other layers. Their use spreads throughout most major Adobe tools and a lot of other programs as well. Blending modes are just rules that the program follows when layering two different images against each other. If you’ve used any modern image editor, you may have noticed blending modes. Imagine if you could move your neighbor’s whole house inside your own.) (This analogy breaks down quickly, because in AE, you can place any comp within another unique comp.
Both the house and the attic are living spaces, but the attic is a subset of the house. Think of it like turning your attic into a rentable living space for profit. What are precomps? Precomps, or Precomposing occurs when the user selects layers in a composition, and places those layers within a new comp that sits inside the first original comp. It's short for “composition.” The comp is AE's version of a basic timeline, and all the things you create in an AE project will live inside at least one comp.
MOTION BACKGROUNDS FOR PROPRESENTER HOW TO
To understand how to pre-compose, we must start with After Effect’s most basic idea: “comps." Any project in After Effects begins with a comp. If you can put these ideas into your utility belt, there is no end to the amount of shiny things you can create. I'd highly recommend trying to master these before trying to get into nuts and bolts of AE’s massive effect catalogue. The following subjects are some of the most basic tools at work in After Effects, yet I’m still finding new ways to use them in my day to day work.
MOTION BACKGROUNDS FOR PROPRESENTER SOFTWARE
I’d like to explain how to make a respectable motion background using a couple of really nifty tricks while spending exactly zero dollars, (so long as you already have the software program.) If you’re green to After Effects, the video at the end of this paragraph should be helpful, but if you’re completely brand new, it might be worth giving adobe’s AE help page a once-over first. This tutorial is designed with a couple things in mind. Combine that with a mix of 3D capabilities, animating tools and brilliant third-party plug-ins and there’s plenty to keep even the veteran motion designer busy. AE is perfect for creating motion backgrounds as it has a massively powerful command over two-dimensional stills and video footage. It comes included with a standard Adobe Creative Cloud subscription, and you’d be hard-pressed to find a church video or filmmaking department without at least one copy. If you’re not familiar with AE, it’s an effects editor that offers a vast number of advanced production techniques without requiring a highly skilled operator. We'll start with Adobe After Effects (AE), though many of the techniques here will transfer to other programs. Woody Davis will be leading the break out session "Action and Animation: Combining Motion Graphics with Live Video Footage." Learn more and register here.įirst, you'll need access to visual effects software. So, if you're not using motion graphics for backgrounds, or if you'd like to take your motion graphics to the next level, here's how you can get started today.Įditor's Note: Want to learn more? Join us at the Content Creation and Filmmaking Summit August 1, 2017 in Raleigh N.C. Motion graphics are a great way to draw and keep attention on text-based slides. If you’re filmmaker, tech director, or even a video production volunteer, you likely notice the images behind the lyrics and sermon notes on the projection screens as much as the text itself.
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